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7.0
电影勃朗特姐妹
主演：伊莎贝尔·阿佳妮,玛丽-弗朗丝·皮西尔,伊莎贝尔·于佩尔,帕斯卡尔·格雷戈里,帕特里克·马基,埃莱娜·叙尔热尔,罗兰·伯汀,爱丽丝·萨卜特叙,格扎维埃·德普拉,阿德里安·布赖恩,朱利安·库里,Renee,Goddard,让·索雷尔,Katherine,Apanovitch,皮埃尔·巴约,罗兰·巴特,帕斯卡尔·博尼策尔,彼得·马丁,莉齐·米克瑞,Alice,de,Poncheville,约翰·威尔士
导演：安德烈·泰希内
简介：英国古典文学勃朗特三姐妹的传记故事
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2.0
电影加德疯狂现场秀
主演：加德·艾尔马莱
导演：Mario,Rouleau
简介：Netflix stand-up special that the well known comedian performed in Montreal. 法国知名喜剧人加德·艾尔马莱联合网飞制作的蒙特利尔单口喜剧专场。
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1.0
电影加油，法国队！
主演：罗贝尔·德里,黛安娜·多丝
导演：罗贝尔·德里,皮埃尔·切尔尼亚
简介：法国人Henri结婚前夕与数位球迷朋友一起前往英国伦敦观看法国队与英格兰队的橄榄球比赛，看球时被兴奋的邻座误伤，撞坏了门牙，遂去找牙科医生补牙。在牙医嘱咐不能张嘴的数小时等待时间里，好奇的法国人Henri穿上另一位病人的外套——警察制服，跑到陌生的伦敦大街上闲逛去了，由此引发了一连串令人捧腹的故事......
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1.0
电影功夫大师
主演：简·伯金,夏洛特·甘斯布,马修·德米,露·杜瓦隆
导演：阿涅斯·瓦尔达
简介：一个将近40岁的女人杰妮爱上一个约15岁的男孩，他是她女儿的同班同学。他尝试与她分享自己对电子游戏的狂热，尤其是“功夫大师”。在这个游戏里，一位蹦蹦跳跳的拳师必需解救一位被捆绑的年轻少女。这是一部“家庭影片”，片中所有的亲属、包括同学关系和住宅都是真的。法国观众也许更容易体会到这部影片游走在现实与虚构之间的趣味。就像电子游戏一样，本片的拍摄也是一个“游戏”。最后，男孩救出了被绑架的少女，瓦尔达也凭借她在真实与游戏之间周旋的能力，也将本片从庸俗与禁忌中拯救出来。
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4.0
电影吸血鬼的颤抖
主演：Sandra,Julien,Jean-Marie,Durand,Jacques,Robiolles
导演：让·洛林
简介：Jean Rollin成功地将僵尸电影悠远的梦幻感与嬉皮时代的表象融合，于是坐镇古堡的不是千年面孔的男僵尸，而是两个长发披肩的嬉皮士少女，一白一黄，七十年代吹捧的典型女孩形象，至于僵尸集团的仪式、成员的行为又像极当时流行的公社生活型态。色彩浓艳，在法国田原的古建筑中注入不少鲜艳的南亚色调，是部花样百出的戏
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9.0
电影快跑惊魂
主演：Roschdy,Zem,Olivier,Gourmet
导演：Olivier,Van,Hoofstadt
简介：臥底探員馬力克在一次掃毒行動中，痛失拍擋兼好友。為了緝拿兇徒，他接受地獄式訓練，成功滲透歐洲最大的毒品供應集團，跟隨毒販從北非摩洛哥產地出貨往歐洲大陸。一隊極速車手以大馬力快艇穿梭地中海，超級跑車衝越西班牙、法國邊境，將毒品送抵巴黎的國際分銷中心，全程實況首次銀幕直擊！
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2.0
电影孤女
主演：阿黛拉·哈内尔,加里·勒斯培,阿黛尔·艾克萨勒霍布洛斯,尼古拉斯·迪佛休尔,杰玛·阿特登,索琳·里戈特,Vega,Cuzytek,塞尔希·洛佩斯,卡里姆·莱克路,罗伯特·亨格-布勒,Edéa,Darcque,洛朗·代勒贝克,Rayan,Rabia,艾米丽·加瓦·卡恩,亚历克西斯·曼蒂,Maximilien,Seweryn,Rami,Kabteni,Nina,Melo,Marie-Joséphine,Roignant,Timothée,Régnier,莎拉·苏克,奥利维尔·卢斯托,德尔菲妮·金克,麦赫迪·麦
导演：阿诺·德帕利埃
简介：故事寫一名女子生命中的四段日子。一個鄉村小女孩，不幸倦入了一場捉迷藏遊戲的悲劇中。一個離家出走的少女，男人換了一個又一個，為的只是要擺脫刻板無趣的家庭生活。一個年輕女子，搬到巴黎居住又遇到一些事，險做成無可挽救的後果。最後便是一個以為擺脫過往一切的成熟婦人。這四個人物一點一滴地融合成同一個女人。
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6.0
电影妒忌
主演：嘉莲·维雅,Dara,Tombroff,安娜·多尔瓦尔,蒂博·德·蒙塔朗贝尔,布鲁诺·托德契尼,玛丽·朱莉·鲍普,柯朗坦·菲拉,阿娜伊斯·德穆斯蒂埃,Xavier,de,Guillebon,伊娃·拉利耶,Thérèse,Roussel,Sreypeich,Bensimon,éric,Frey,Fabio,Crestale,塞德里克·本·阿卜杜拉,海伦娜·苏贝兰德,弗兰西斯·莱珀雷,穆尼尔·马戈姆,斯特凡·冯金诺斯,弗蕾尔·格夫里尔
导演：大卫·冯金诺斯,斯特凡·冯金诺斯
简介：娜塔莉是一位大学教授，离婚让她几乎在一夜之间从温柔多情变得充满了妒意。她无法抑制自己嫉妒身边的每一个人：她最好的朋友，她的新同事，她的前夫，甚至是她的女儿……每个人都受到她奇怪行径的摆布。在脆弱的本性和矛盾复杂的情感纠葛中，娜塔莉正经历着她不幸的中年危机。
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6.0
电影夺命枪火2014
主演：热拉尔·朗万,乔伊·斯塔尔,阿丽斯·塔格里奥妮,伊马诺尔·佩尔塞,西蒙·阿布卡瑞安,安托万·巴斯勒,乔·普雷斯蒂亚,塞勒姆·卡利,米歇尔·费拉奇,亚历山大·布拉瑟尔,菲利普·纳翁,安东·雅科夫列夫,阿马尔·维克德,马莱克·乌杰尔,雷杜昂·贝哈什
导演：法布里斯·度·沃尔斯
简介：文森（伊马诺尔·佩尔塞 Ymanol Perset 饰）表面看来只是一介平凡青年，却拥有着一身了得的射击本领，年仅二十五岁的他作为官方认可的枪械教官，深受业内同行的尊重和赞赏，前途可谓一片光明。某日，一位名叫米罗（乔伊·斯塔尔 Joey Starr 饰）的警察出现在了文森的身边，殊不知他的所作所为将会彻底改变这位青年的命运。接二连三的意外让文森被迫处于争斗的漩涡中心，不断沉浮于阴谋和罪恶之中。特警队指挥官查韦斯（热拉尔·朗万 Gérard Lanvin 饰）和行动大队指挥官德纳尔（西蒙·阿布卡瑞安 Simon Abkarian 饰），两人之间的矛盾已经到了无法调解的白热化程度，他们一位是文森的保护者，一位是他的师父，身陷在恶斗的中心，文森将会作出怎样的选择？
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9.0
电影艾弘：人间百态
主演：Haroun
导演：未知
简介：法国喜剧明星艾弘以风趣的口吻针砭时弊，审视现代社会，怀疑人类是否已停止进化。
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7.0
电影刑讯者的下午
主演：格奥尔基·迪尼克,拉杜·贝利甘,Ioana,Ana,Macaria
导演：卢奇安·平蒂列
简介：一个曾经丧失人性的刑讯逼供者.在几十年之后接受电台记者的采访重新回忆自己那段罪孽深重的过去.他以前拷问别人,现在却接受这个记者的“拷问”.在这个下午,拷问的不仅仅是他本人,也拷问了人性,拷问了整个社会制度。
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7.0
电影几度春风几度霜
主演：萨宾·阿泽玛,芬妮·阿尔丹,皮埃尔·阿迪提
导演：阿伦·雷乃
简介：1987年恺撒奖最佳女主角和最佳男配角获得者。讲述了两个旧友重逢后，已经是著名乐手的布朗爱上了朋友之妻……皮埃尔是小提琴演奏者，邀请他的朋友才华横溢的马尔歇到家里吃饭，并把妻子罗曼尼介绍给他认识。罗曼尼和马尔歇却因此一见钟情。影片一改雷奈过往的跳跃风格，改走舞台剧的戏剧形式，故事由头到尾平铺直叙，仅仅以演员的功力和话剧式的对白取胜，简直是部话剧。雷奈的御用女星艾慈玛深厚的舞台经验使她脱颖而出，赢得凯撒奖的最佳女主角。
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已完结
电视剧莉亚的7重人生
主演：,蕾卡·哈扎纳维齐斯,哈利勒·加尔比亚,Marguerite,Thiam,Maïra,Schmitt,提奥·费尔南德斯,Rebecca,Williams,安娜·阿祖雷,Alexander,Ferrario,梅拉妮·杜泰,萨米埃尔·本谢特里,Anouar,H.,Smaine,Kelly,Bellacci,Thierry,Rousset,Zirek,Keith,Farquhar,卢多维克·库托
导演：Charlotte,Sanson
简介：在发现一名年轻男子的遗骨后，莉亚在 90 年代醒来，并经历了七次身体交换。与此同时，她试图解开这名男子的死亡谜团，并阻止悲剧的发生。
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5.0
电影秘密防御
主演：热拉尔·朗万,法伊娜·乔康,尼古拉斯·迪佛休尔,梅迪·内博,拉奇妲·布拉克尼,西蒙·阿布卡瑞安,奥雷利昂·维依科,卡迪亚·勒库维兹,哈萨姆·甘西,尼古拉·马里耶,塞勒姆·卡利,茂萨·马斯克里,凯瑟琳·海格,安纳托·陶布曼,Kamel,Belghazi,蒂杰梅·巴黑克,Carim,Messalti,Sa?d,Amadis,Jil,Milan,Asil,Ra?s
导演：菲利普·阿伊姆
简介：片名：国防机密 Secret défense编导：菲利普·阿伊姆 Philippe Ha?m主演：热拉尔·朗万 Gérard Lanvin瓦伊娜·吉奥康特 Vahina Giocante尼古拉·迪沃谢勒 Nicolas Duvauchelle西蒙·阿布卡良 Simon Abkarian迈赫迪·内布 Mehdi Nebbou拉希达·布拉克尼 Rachida Brakni奥雷利安·维克 Aurélien Wiik卡蒂娅·莱夫科维奇 Katia Lewkowicz卡迈勒·贝勒加齐 Kamel Belghazi贾迈勒·巴雷克 Djemel Barek卡兰·梅萨尔蒂 Carim Messalti哈桑·甘西 Hassam Ghancy尼古拉·马里耶 Nicolas Marié萨利姆·卡利 Salem Kali穆萨·马阿斯克里 M...
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2.0
电影收养
主演：梅拉尼·罗兰,德尼·梅诺谢,克莱门汀·塞拉里耶,Audrey,Lamy,Marie,Denarnaud,Théodore,Maquet-Foucher
导演：梅拉尼·罗兰
简介：收养讲述的是一个由三个女人组成的家庭面临的种种挑战而她们又都成功的应对这些挑战的故事她们的生活中险少有男性因此当她们中的一个恋爱时三个女人世界的平衡就被打破了每个人都尽力寻找新的平衡但是命运没有给她们这个机会这个家庭得再一次重新开始
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4.0
电影克罗克罗
主演：杰瑞米·雷乃,伯努瓦·马吉梅尔,莫妮卡·斯卡蒂尼,Sabrina,Seyvecou,Ana,Girardot,约瑟芬·约比,Maud,Jurez,马克·巴贝,埃里克·萨文,Sophie,Meister,安妮克·阿斯克渥德,édouard,Giard,Jérémy,Charbonnel,罗伯特·克耐普,Alison,Wheeler,托马斯·儒阿特
导演：弗洛朗-埃米利奥·西里
简介：本片是关于有着“法国猫王”之称的法国乐坛巨星克劳德·佛朗索瓦的传记片，克劳德·佛朗索瓦是法国乐坛最具传奇色彩的人物之一，当时法语里甚至有一个专有名词，意为专门为佛朗索瓦伴舞的女孩。
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6.0
电影冒一切风险的阶级
主演：利诺·文图拉,桑德拉·米洛,让-保罗·贝尔蒙多,马塞尔·达里奥,米歇尔·阿旦
导演：克洛德·索泰
简介：Abel Davos在所有警察的追捕下，从意大利米兰流窜到法国尼斯。与一名陌生小伙子Eric Starck同谋合作，他重新回到巴黎，为的是解决债务……一部震惊的作品，充满了紧张悬念气氛。由乔斯.乔凡尼根据自己的小说改编，是法国警匪电影中最出色的经典之一。
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5.0
电影关于在短时间内的某几个人的经过
主演：内详
导演：居伊·德波
简介：Voice 1 (male professional announcer type) This neighborhood(1) was made for the wretched dignity of the petty bourgeoisie, for respectable occupations and intellectual tourism. The sedentary population of the upper floors was sheltered from the influences of the street. This neighborhood has remained the same. It was the strange setting of our story, where a systematic questioning of all the diversions and works of a society, a total critique of its idea of happiness, was expressed in acts.These people also scorned subjective profundity. They were interested in nothing but an adequate and concrete expression of themselves.Voice 2 (Debord, monotone) Human beings are not fully conscious of their real life - usually groping in the dark; overwhelmed by the consequences of their acts; at every moment groups and individuals find themselves confronted with results they have not wished.Voice 1 They said that oblivion was their ruling passion. They wanted to reinvent everything each day; to become the masters and possessors of their own lives.Just as one does not judge a man according to the conception he has of himself, one cannot judge such periods of transition according to their own consciousness; on the contrary, one must explain the consciousness through the contradictions of material life, through the conflict between social conditions and the forces of social production.The progress achieved in the domination of nature was not yet matched by a corresponding liberation of everyday life. Youth passed away among the various controls of resignation.Our camera has captured for you a few aspects of a provisional microsociety.The knowledge of empirical facts remains abstract and superficial as long as it is not concretized by its integration into the whole ” which alone permits the supersession of partial and abstract problems so as to arrive at their concrete essence, and implicitly at their meaning.This group was on the margins of the economy. It tended toward a role of pure consumption, and first of all the free consumption of its time. It thus found itself directly engaged in qualitative variations of everyday life but deprived of any means to intervene in them.The group ranged over a very small area. The same times brought them back to the same places. No one went to bed early. Discussion on the meaning of all this continued...Voice 2 Our life is a journey ” In the winter and the night. ” We seek our passage...�Voice 1 The abandoned literature nevertheless exerted a delaying action on new affective formulations.Voice 2 There was the fatigue and the cold of the morning in this much-traversed labyrinth, like an enigma that we had to resolve. It was a looking-glass reality through which we had to discover the potential richness of reality.On the bank of the river evening began once again; and caresses; and the importance of a world without importance. Just as the eyes have a blurred vision of many things and can see only one clearly, so the will can strive only incompletely toward diverse objects and can completely love only one at a time.Voice 3 (young girl) No one counted on the future. It would never be possible to be together later, or anywhere else. There would never be a greater freedom.Voice 1 The refusal of time and of growing old automatically limited encounters in this narrow, contingent zone, where what was lacking was felt as irreparable. The extreme precariousness of the means of getting by without working was at the root of this impatience which made excesses necessary and breaks definitive.Voice 2 One never really contests an organization of existence without contesting all of that organization's forms of language.Voice 1 When freedom is practiced in a closed circle, it fades into a dream, becomes a mere representation of itself. The ambiance of play is by nature unstable. At any moment ordinary life� can prevail once again. The geographical limitation of play is even more striking than its temporal limitation. Any game takes place within the contours of its spatial domain. Around the neighborhood, around its fleeting and threatened immobility, stretched a half-known city where people met only by chance, losing their way forever.The girls who found their way there, because they were legally under the control of their families until the age of eighteen, were often recaptured by the defenders of that detestable institution. They were generally confined under the guard of those creatures who among all the bad products of a bad society are the most ugly and repugnant nuns.What usually makes documentaries so easy to understand is the arbitrary limitation of their subject matter. They describe the atomization of social functions and the isolation of their products. One can, in contrast, envisage the entire complexity of a moment which is not resolved into a work, a moment whose movement indissolubly contains facts and values and whose meaning does not yet appear. The subject matter of the documentary would then be this confused totality.Voice 2 The era had arrived at a level of knowledge and technical means that made possible, and increasingly necessary, a direct construction of all aspects of a liberated affective and practical existence. The appearance of these superior means of action, still unused because of the delays in the project of liquidating the commodity economy, had already condemned aesthetic activity, whose ambitions and powers were both outdated. The decay of art and of all the values of former mores had formed our sociological background. The ruling class's monopoly over the instruments we needed to control in order to realize the collective art of our time had excluded us from a cultural production officially devoted to illustrating and repeating the past. An art film on this generation can only be a film on its absence of real creations.Everyone unthinkingly followed the paths learned once and for all, to their work and their home, to their predictable future. For them duty had already become a habit, and habit a duty. They did not see the deficiency of their city. They thought the deficiency of their life was natural. We wanted to break out of this conditioning, in quest of another use of the urban landscape, in quest of new passions. The atmosphere of a few places gave us intimations of the future powers of an architecture it would be necessary to create to be the support and framework for less mediocre games. We could expect nothing of anything we had not ourselves altered. The urban environment proclaimed the orders and tastes of the ruling society just as violently as the newspapers. It is man who makes the unity of the world, but man has extended himself everywhere. People can see nothing around them that is not their own image; everything speaks to them of themselves. Their very landscape is alive. There were obstacles everywhere. There was a cohesion in the obstacles of all types. They maintained the coherent reign of poverty. Everything being connected, it was necessary to change everything by a unitary struggle, or nothing. It was necessary to link up with the masses, but we were surrounded by sleep.Voice 3 The dictatorship of the proletariat is a desperate struggle, bloody and bloodless, violent and peaceful, military and economic, educational and administrative, against the forces and traditions of the old world.Voice 1 In this country it is once again the men of order who have rebelled. They have reinforced their power. They have been able to aggravate the grotesqueness of the ruling conditions according to their will. They have embellished their system with the funereal ceremonies of the past.Voice 2 Years, like a single instant prolonged to this point, come to an end.Voice 1 What was directly lived reappears frozen in the distance, fit into the tastes and illusions of an era, carried away with it.Voice 2 The appearance of events that we have not made, that others have made against us, now obliges us to be aware of the passage of time, its results, the transformation of our own desires into events. What differentiates the past from the present is precisely its out-of-reach objectivity; there is no more should-be; being is so consumed that it has ceased to exist. The details are already lost in the dust of time. Who was afraid of life, afraid of the night, afraid of being taken, afraid of being keptVoice 3 What should be abolished continues, and we continue to wear away with it. We are engulfed. We are separated. The years pass and we haven't changed anything.Voice 2 Once again morning in the same streets. Once again the fatigue of so many similarly passed nights. It is a walk that has lasted a long time.Voice 1 Really hard to drink more.Voice 2 Of course one might make a film of it. But even if such a film succeeds in being as fundamentally disconnected and unsatisfying as the reality it deals with, it will never be more than a re-creation ” poor and false like this botched traveling shot.Voice 3 There are now people who pride themselves on being authors of films, as others were authors of novels. They are even more backward than the novelists because they are unaware of the decomposition and exhaustion of individual expression in our time, ignorant of the end of the arts of passivity. They are praised for their sincerity since they dramatize, with more personal depth, the conventions of which their life consists. There is talk of the liberation of the cinema. But what does it matter to us if one more art is liberated through which Tom, Dick or Harry can joyously express their slavish sentiments The only interesting venture is the liberation of everyday life, not only in the perspectives of history but for us and right away. This entails the withering away of alienated forms of communication. The cinema, too, has to be destroyed.Voice 2 In the final analysis, stars are created by the need we have for them, and not by their talent or lack of talent or even by the film industry or advertising. Miserable need, dismal, anonymous life that would like to expand itself to the dimensions of cinema life. The imaginary life on the screen is the product of this real need. The star is the projection of this need.The images of the advertisements during the intermissions are more suited than any others for evoking an intermission of life.To really describe this era it would no doubt be necessary to show many other things. But what would be the pointBetter to grasp the totality of what has been done and what remains to be done than to add more ruins to the old world of the spectacle and of memories.1. This film, which evokes the lettrist experiences at the origin of the situationist movement, opens with shots of the Paris district frequented by the lettrists in the early 1950s.
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6.0
电影内地1929
主演：Alexandre,Arquillière,Jackie,Monnier,恩里克·里贝罗,Diana,Hart,雅克·贝克
导演：让·雷诺阿,Jean,Renoir
简介：Claudie, a young French woman, inherits her uncle's property in Algeria, much to the disappointment of her scheming cousins Diane and Manuel. On the ferry she meets and falls for Pierre, an idle young man who has squandered his inheritance and is on his way to beg from Christian, his rich but rough-and-ready uncle, who owns a neighbouring farm to Claudie's. Made to work on the farm by Christian as a loan condition, Pierre is soon a changed man, and proposes to Claudie. But when his Arab friend Zoubir invites the Europeans on a hunting party, Diane and Manuel see their chance to move against their cousin.
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10.0
电影艰难之年
主演：皮奥·马麦,乔纳森·科恩,诺米·梅兰特,马修·阿马立克,格雷戈瓦·勒普兰斯-林盖,卢安娜·巴杰拉米,Sandrine,Briard,乌萨马·赫达姆,达尼埃莱·莱布伦,亚历山德拉·罗斯,让-弗朗索瓦·凯雷,Ga?a,Warnant,玛戈·巴席恩,查利·尼尔森,Benjamin,Georjon,艾萨图·迪亚诺·萨格娜,Chama?l,Kahaloun,Julia,Vivoni,Khereddine,Ennasri,西瑞尔·库顿
导演：奥利维埃·纳卡什,埃里克·托莱达诺
简介：Albert and Bruno are in the red, compulsive consumers, over-indebted, they live between petty schemes for one and a personal life adrift for the other. It is in the associative path, which they both take to get their heads above water, that they will come across young rebellious activists, climate alarmists, lovers of social justice and eco-responsibility. More attracted by bee...
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8.0
电影兰基先生的罪行
主演：René,Lefèvre,朱尔·贝里,弗洛雷勒
导演：让·雷诺阿
简介：朗治（瑞奈·列费夫尔 René Lefèvre 饰）在一间印刷厂里做了一辈子的文员，撇开正式职业不谈，他还有一颗成为作家的心，常常在业余时间创作漫画和小说。一天，朗治的老板因为贪腐诈骗的罪行东窗事发选择了跑路，却在路上遭遇车祸下落不明，为了维持印刷厂的正常运作，朗治被推举成为了印刷厂的临时管事人，在朗治和其他员工们的努力经营之下，本来濒临倒闭的印刷厂不仅避免了关门大吉的命运，还有了不菲的盈利。一天，老板巴尔塔（朱尔·贝里 Jules Berry 饰）忽然出现在了朗治的面前，大难不死的他不仅企图侵吞朗治和工人们的所有劳动成果，甚至想要将朗治的女友据为己有。
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5.0
电影六个无价值的片段
主演：Danièle,Huillet,Jean-Marie,Straub
导演：Pedro,Costa,Thierry,Lounas
简介：Six unused scenes from WHERE LIES YOUR HIDDEN SMILE One of the more priceless of the bagatelles in this collection features a lounging Jean-Marie Straub who gives a non-stop disquisition on liberty and filmmaking while Danièle Huillet busies herself with laundry, and their dog Melchior frisks in and out of frame.
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2.0
电影六个情人的游戏
主演：贝纳德特·拉封,弗朗索瓦·布里昂,亚历山德拉·斯图尔特,米歇尔·加拉布吕,雅克·里伯罗勒,杰拉尔·巴里,Florence,Loinod,保罗·盖尔
导演：雅克·多尼奥-瓦克罗兹
简介：
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8.0
电影八十年代的巨星
主演：Richard,Anconina,帕特里克·坦西,布鲁诺·洛歇,Jean-Luc,Lahaye,Jeanne,Mas,Gilbert,Montagné,Sabrina,Salerno,Valéry,Zeitoun,Début,de,soirée,Desireless
导演：Frédéric,Forestier
简介：Vincent和Antoine都是狂热的乐迷，两人靠到处做工地秀苦苦支撑着一个小小的演艺公司。眼看生计难以为继，Vincent家中的一个小小皮盒给了他们创业灵感：Jeanne Mas, Jean-Luc Lahaye, Lio, Desireless, Peter Sloane, François Feldman, Début de soirée, Images, Cookie Dingler, Sabrina, Gilbert Montagné... 里面装满了80年代的畅销曲！让这些80年代的巨星重新登上舞台会大卖吧！？两位制作人于是出发去寻找那些已经被公众遗忘的明星们。从乡下小酒吧里的寒酸怀旧演唱会开始r……直到法兰西体育场！
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已完结
电视剧凡尔赛第三季
主演：乔治·布莱顿,亚历山大·维拉赫斯,斯图尔特·鲍曼,埃文·威廉斯,艾莉莎·拉索斯基,泰格·伦岩,乔·谢里丹,马修·麦克诺提,史蒂文·库门,安娜·布雷维斯特
导演：理查德·克拉克,爱德华·巴瑟杰特,彼得·凡·希斯
简介：法剧《凡尔赛》最终季。路易十四准备开拓美洲殖民地，菲利普授命审核送去美洲的罪犯名单时，发现了一个秘密，在巴士底狱有一名戴着铁面具的特殊囚犯，他是谁呢？
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已完结
电视剧凡尔赛第二季
主演：,乔治·布莱顿,亚历山大·维拉赫斯,埃文·威廉斯,安娜·布雷维斯特
导演：,托马斯·文森特
简介：“Versailles is the next step in the international co-production strategy we are now pursuing with our partners,” said Fabrice de la Patellière, Head of French Drama and Co-productions at Canal Plus. “This new season, that we aim to develop with renewed originality, will be a full-blown immersion into the absolute power of Louis XIV.”Added Claude Chelli, Director of Capa Drama: “King Louis XIV ruled France for 72 years, so there are still many stories to be told, in the same style and with the same contemporary approach that we established in Season 1. So it is with great relish that for the second season, we are going to take the series into the realm of women, love potions and poisons.”
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已完结
电视剧凡尔赛第一季
主演：乔治·布莱顿,亚历山大·维拉赫斯,Evan,Williams,阿蜜拉·卡萨,Stuart,Bowman,泰格·伦岩,Noémie,Schmidt,丽兹·布罗谢,安娜·布雷维斯特
导演：加里·勒斯培
简介：Versailles, 1667. Louis XIV a 28 ans. Pour soumettre la noblesse et imposer définitivement son pouvoir absolu, il entreprend de transformer Versailles… comme on tend un piège. Ce jeune roi, hanté par le traumatisme de la Fronde qui avait vu les nobles se rebeller contre la royauté, se révèle un stratège politique hors du commun, machiavélique et manipulateur. Il "invente" Versailles pour éloigner les nobles de Paris, les garder sous son contrôle, et progressivement faire du château une prison dorée. Il est aussi capable de passions romanesques ; mais comment les vivre quand on est le plus grand roi du monde ? Les personnages historiques et fictionnels, du courtisan le plus en vue au plus humble serviteur du roi, nous guident dans un monde de trahisons et de secrets d’alcôve, de manœuvres politiques et de déclarations de guerre, révélant Versailles dans toute sa gloire et sa brutalité.
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已完结
电视剧一秒变总统第一季
主演：让-帕斯卡尔·扎迪,伯努瓦·波尔沃德,埃里克·朱多尔,Emmanuel,Dehaene,Fadily,Camara,帕纳约蒂斯·帕斯科特,Jean-Christophe,Brétignière,Sean,Guégan,玛琳娜·佛伊丝,Fary
导演：让-帕斯卡尔·扎迪
简介：一名来自巴黎郊区的青年中心领袖成为总统大选的候选人。然而，法国真的准备好迎接黑人总统了吗？
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已完结
电视剧一秒变总统第二季
主演：让-帕斯卡尔·扎迪
导演：让-帕斯卡尔·扎迪
简介：
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2.0
电影娜娜1926
主演：Catherine,Hessling,Jean,Angelo,Werner,Krauss
导演：让·雷诺阿
简介：娜娜（凯瑟琳·海斯琳 Catherine Hessling 饰）出生在一个贫困的家庭之中，却有着天使般的容貌，因而获得了参演轻歌剧《金发维纳斯》的机会。虽然娜娜毫无演技，唱歌也非常的难听，但凭借着裸露自己的身体，娜娜在演艺圈里一炮而红。尝到了甜头的娜娜开始依靠出卖自己的身体赚钱，男人们趋之若鹜。大银行家斯泰内（克劳特·乌当-拉哈 Claude Autant-Lara 饰），米法伯爵（沃纳·克劳斯 Werner Krauss 饰）、老相好达格内，娜娜身边的男人们换了又换，但始终不变的是从男人的口袋里流向娜娜的口袋里的那源源不绝的金钱，可即便如此，娜娜还是终日生活在贫穷中，甚至欠下了高利贷，一天，娜娜突然失去了踪迹。
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2.0
电影吸血鬼家族2023
主演：亚里安妮·拉贝德,格莱戈尔·科林,卡西·莫泰·克莱恩,瓦西里·施耐德,阿德里安·博,克莱尔·迪比尔克,Erwan,Ribard
导演：阿德里安·博
简介：Genre cinema lends itself to fruitful experimentation and Vourdalak is a prime example, offering ample opportunities for it along with dark, profound chills and a delightful Gothic atmosphere. A father returns from the war to his children (now as a vourdalak), dead yet alive, while simultaneously, an envoy of the King of France arrives at their secluded forest home. Profoundly ...
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7.0
电影重塑马文
主演：费尼肯·欧菲尔德,格莱高利·嘉德波瓦,樊尚·马凯涅,卡特琳·萨雷,裘斯·普瑞尔,凯瑟琳·蒙切特,夏尔·贝尔林,伊莎贝尔·于佩尔,谢里夫·安杜拉,英迪亚·海尔,Luna,Lou,雅尼克·莫泽尔,洛伦佐·勒费弗尔,塞西尔·雷博阿,Oscar,Pessans
导演：安妮·芳婷
简介：马丁出生在郊区，可他与周遭格格不入。他逃离一切，在中学校长介绍下，他用戏剧寻找自我，更在伊莎贝尔·于佩尔(本色出演)帮助下，马丁最终成为“马文”。
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4.0
电影你那边几点
主演：李康生,陈湘琪,陆弈静,苗天,叶童,让-皮埃尔·利奥德,Chao-jung,Chen,Guei,Tsai,Arthur,Nauzyciel,David,Ganansia
导演：蔡明亮
简介：父亲离世后，来到天桥摆摊卖手表的小康（李康生）同母亲一样，虽自觉与其并无多少情感，却无法摆脱其在精神上的无处不在。因为一块可以显示出巴黎与台北时差的手表，小康结识要去巴黎的湘琪（陈湘琪饰），自此，精神抑压的他以为同巴黎（湘琪饰）取得了某种形式的关联，获得某种虚空的安慰。当小康通过把时钟调慢7小时、观看电影《四百击》等形式来表达他对湘琪暧昧的思念时，远在巴黎的湘琪也并没能从生活中找到多少积极的意义。无论同性（叶童）还是异性，她均无法从他们身上得到想要的温暖。
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4.0
电影使命召唤2015
主演：西恩·潘,杰丝敏·特丽卡,哈维尔·巴登,雷·温斯顿,马克·里朗斯,伊德里斯·艾尔巴,彼得·弗兰森,马克·沙尔丹,埃米利奥·布阿勒,卡拉·佩雷斯,托尼·科尔维略,安吉拉·富恩特,玛丽娜·马修斯,大卫·布莱克雷
导演：皮埃尔·莫瑞尔
简介：国际特种部队间谍吉姆（西恩·潘 Sean Penn 饰），为了他的爱人而想要退出组织，但天不从人愿，就在他完成最后一项“任务”时，为了确保自身安全与公司利益，他必须要人间蒸发匿身他处，与心爱的人从此分开。离开组织在欧洲流亡多年后，吉姆以为能够脱离危险，就此过着平静的生活；无奈人生并非他想像中单纯，在刚果被神秘人物追杀的他，被迫放下所有，展开逃亡。逃亡途中他辗转联系到昔日战友，并寻求他们的协助，却也因此发现追杀行动里暗藏着不为人知的祕密，而现在，唯有找出追杀他的幕后主使，才能给他一条生路……
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9.0
电影你知道，你的楼梯很漂亮
主演：伊莎贝尔·阿佳妮,阿涅斯·瓦尔达
导演：阿涅斯·瓦尔达
简介：短片
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1.0
电影你躯体之泪的诡异颜色
主演：克劳斯·坦格,Ursula,Bedena,Joe,Koener,Birgit,Yew,汉斯·德·芒特,Anna,D'Annunzio,Jean-Michel,Vovk
导演：布鲁诺·福扎尼,伊莲娜·卡泰特
简介：铅黄电影。有点实验性的Cult片，《安娜迷宫》的导演又给大家带来感官盛宴。怪奇公寓妇女失踪，墙后房间通往童年，礼盒爬出帽子刺客，壁纸起伏欲望隧道；时空循环自我谋杀，白发初恋听诊凶案，糖果夹杂玻璃碎片，爆头画皮血流满屋……
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