主演：成止微,陈柄希,刘德基
导演：史任飞
简介：一餐两人四季，一个平凡女孩通过制作美食了却生活中的不易同时温暖他人。每一个打工人背后都是一个干饭人，干饭人不灭的干饭魂，让他们在现实和理想的碰撞中，一次次跌倒，又一次次满血复活。
主演：张淼怡,金贤正,赵熠洋,普普,韩佳卉,唐浩,孔宇翀,赵广斌,蒋林静,王龙
导演：李宏宇
简介：秦御遭遇新政危机，颜一一挺身而出，挫败了太后的阴谋！秦御对颜一一更加爱慕，而在身陷危险时秦御的舍生相救也让颜一一有些心动！但冷宫任务迫在眉睫，颜一一决定撮合原书女主与秦御，使剧情重回正轨！
主演：张淼怡,金贤正,普普,赵安第,唐浩,孔宇翀,王子菲,韩佳卉,宁显周,于秉池,赵广斌,蒋林静,赵熠洋,王龙,过齐鸣,赵秋生,杨柠,金玄雨,过山月,赵思,袁川航,艺强,颜嫣,卢夏禹
导演：李宏宇
简介：颜一一和秦御几经生死，产生了深深的感情，特别是突发的疫情让他们认清了自己的内心，决心冲破一切困难相爱相守，但书中世界被严重改变，秦御又意外重伤，生命垂危。为了心上人，颜一一不得不忍痛回到了现实世界。
主演：内详
导演：Jessica,Mendez,Siqueiros
简介：The Last of the Chupacabras, one of six Disney Launchpad Shorts, starts streaming May 28 on Disney+. “THE LAST OF THE CHUPACABRAS,” Written and Directed by Jessica Mendez Siqueiros. Producers are Nicole Crespo and Steak House; Executive Producers are Julie Ann Crommett, Mahin Ibrahim, Alyssa Navarro, Chris Caraballo, Jason Alvidrez and Adam Nusinow. In a world where culture has...
主演：思漩,厉娜,张靖宜,戚九洲,纪焕博,刘学义
导演：邓科
简介：美貌与智慧集于一身的情感专家倪美云，因被男友抛弃而受重创，事业惨遭滑铁卢；单纯可爱的萌妹小紫也因为性格原因与男友分手，伤感失落；游戏宅女波波整日对着电脑和二次元，对感情视为无物。三姐妹痛定思痛，反省后惊觉一定不要做男人的初恋女友，从此踏上了寻找成熟、魅力、恋爱经验丰富的优质男性的不归路。是身材一流的健身教练，是事业有成的黄金单身汉，是兴趣爱好相投彼此了解的好哥们儿，还是见面就掐的死对头？型男出没，美女，请接招！
主演：王欣雨,刘力司,阿德瑞娜·卡林姆博
导演：未知
简介：已经过气的名模欣欣，经历着失业又失恋的痛苦，好不容易凭借着分手礼物——松狮熊猫狗又重新返回了巴黎时尚界，不想好景不长，就被动物保护协会抓了个正着。势力的巴黎时尚界，彻底抛弃了这位曾经想火的前任模特，欣欣被迫开始了新一轮的漂流。
主演：刘文杰,木幡龙,姜潮,毕晓晨,王紫硕
导演：武健
简介：就在张霄(刘文杰 饰)事业最春风得意时，他的妻子陈心(王紫硕 饰)突然出走，并提出离婚，还传来一张与陌生男子(姜潮 饰)的亲吻合影为证。气愤的张霄想出了一个荒唐的办法：策划一个假绑架！自己再英雄救美，赢得美人心的同时还能给她个教训！他按照照片的定位来到了大连，找到了自称黑帮传人的日本“侠客”—彪桑(木幡龙 饰)，以及已故大力士“力王”的儿子—“大力”(毕晓晨 饰)。三人组成行动团伙，开始了想当然的“半岛行动”。行动中张霄才发现团队的各种不靠谱，经常把自己置于险境，状况不断，各种窘迫！但糟糕的行动中，爱情似乎又泛起了微光……
主演：李明源,杜雨宸,朱一未,吴昊,王斌,李乐辰,宫宏佳,冶彦,谭粤,路星河,邹世中
导演：王淑志
简介：本是瓦匠世家的她，考古中意外魂穿成了患有洁癖的工匠之女身上，凭借惊为天人的工匠绝技混得风生水起，却莫名卷入了一场乱战，而她回到现代的唯一途径，便是参与这场夺嫡之争。
主演：马凯,赵菁,张驰,卫立洲,王东,王小溪
导演：曾庆杰
简介：马凯是一名普普通通的剪辑师，他受过专业的电影理论和技术的训练，对电影有着崇高的理想和热爱。不久前他刚刚和搭档为一名高傲自负的青年导演担任新片的剪辑工作，但是马凯无法接受学院派老一套的剪辑方法，于是自作主张加入了几个表达情绪用的空镜头，结果惹来导演的怒骂，命令他们在看片会之前按照剧本按部就班地剪出来。万般无奈，马凯和大雄从头来过，而且连花絮的编辑也需承担，两人只能熬夜工作。次日一早，马凯开车送片，谁知稀里糊涂走错了路。另一边，导演的版本遭到投资方否定，他的组被迫停工。没有责任心的导演将责任推到马凯身上，绝尘离去。失意的马凯在替身女孩小桃鼓励下重拾信心。而就在此关头，马凯经历了一件神奇的事，人生有望剪辑重来……
主演：李家晴,河胜妍
导演：杨庆熙
简介：從曖昧到相戀，從相擁入眠到獨守愛巢，恩夏與舒羽的感情歷經波折。一場意外，讓舒羽昏迷不醒，原本要負起照顧責任的恩夏，卻因為舒羽父母的不諒解，而無法守候在愛人身旁。獨自活在充滿兩人回憶的世界裡，恩夏該如何度過這個艱難的時刻？
主演：香特尔·阿克曼,Chris,Myllykoski,Samy,Szlingerbaum
导演：香特尔·阿克曼,Samy,Szlingerbaum
简介：Mid-August in Paris (the title is a date: August 15) in a sunny, quiet apartment a young woman talks, thinks, reflects about herself, everyday life and little events in a long, uninterrupted monologue. The camera pictures her and her gestures in long, fixed shots moving around the rooms, the space, the light and shadows of a summer day.
主演：谢兴阳,Xingyang,Xie,吴泽林,张帆,张帆,Fan,Zhang,王若曦
导演：六娃
简介：李聚福相貌平平，成绩中等，和发小于家傲一起在高中过着无忧无虑普普通通的生活。直到转学生林无忌的出现，给李聚福带来了人生的转机，他发现不仅林无忌有着考上大学参加科研的梦想，就连于家傲都有着成为动画导演的梦想。在二人的帮助下，李聚福开始了自己坎坷但又欢乐的寻梦之旅。
主演：内详
导演：居伊·德波
简介：Voice 1 (male professional announcer type) This neighborhood(1) was made for the wretched dignity of the petty bourgeoisie, for respectable occupations and intellectual tourism. The sedentary population of the upper floors was sheltered from the influences of the street. This neighborhood has remained the same. It was the strange setting of our story, where a systematic questioning of all the diversions and works of a society, a total critique of its idea of happiness, was expressed in acts.These people also scorned subjective profundity. They were interested in nothing but an adequate and concrete expression of themselves.Voice 2 (Debord, monotone) Human beings are not fully conscious of their real life - usually groping in the dark; overwhelmed by the consequences of their acts; at every moment groups and individuals find themselves confronted with results they have not wished.Voice 1 They said that oblivion was their ruling passion. They wanted to reinvent everything each day; to become the masters and possessors of their own lives.Just as one does not judge a man according to the conception he has of himself, one cannot judge such periods of transition according to their own consciousness; on the contrary, one must explain the consciousness through the contradictions of material life, through the conflict between social conditions and the forces of social production.The progress achieved in the domination of nature was not yet matched by a corresponding liberation of everyday life. Youth passed away among the various controls of resignation.Our camera has captured for you a few aspects of a provisional microsociety.The knowledge of empirical facts remains abstract and superficial as long as it is not concretized by its integration into the whole ” which alone permits the supersession of partial and abstract problems so as to arrive at their concrete essence, and implicitly at their meaning.This group was on the margins of the economy. It tended toward a role of pure consumption, and first of all the free consumption of its time. It thus found itself directly engaged in qualitative variations of everyday life but deprived of any means to intervene in them.The group ranged over a very small area. The same times brought them back to the same places. No one went to bed early. Discussion on the meaning of all this continued...Voice 2 Our life is a journey ” In the winter and the night. ” We seek our passage...�Voice 1 The abandoned literature nevertheless exerted a delaying action on new affective formulations.Voice 2 There was the fatigue and the cold of the morning in this much-traversed labyrinth, like an enigma that we had to resolve. It was a looking-glass reality through which we had to discover the potential richness of reality.On the bank of the river evening began once again; and caresses; and the importance of a world without importance. Just as the eyes have a blurred vision of many things and can see only one clearly, so the will can strive only incompletely toward diverse objects and can completely love only one at a time.Voice 3 (young girl) No one counted on the future. It would never be possible to be together later, or anywhere else. There would never be a greater freedom.Voice 1 The refusal of time and of growing old automatically limited encounters in this narrow, contingent zone, where what was lacking was felt as irreparable. The extreme precariousness of the means of getting by without working was at the root of this impatience which made excesses necessary and breaks definitive.Voice 2 One never really contests an organization of existence without contesting all of that organization's forms of language.Voice 1 When freedom is practiced in a closed circle, it fades into a dream, becomes a mere representation of itself. The ambiance of play is by nature unstable. At any moment ordinary life� can prevail once again. The geographical limitation of play is even more striking than its temporal limitation. Any game takes place within the contours of its spatial domain. Around the neighborhood, around its fleeting and threatened immobility, stretched a half-known city where people met only by chance, losing their way forever.The girls who found their way there, because they were legally under the control of their families until the age of eighteen, were often recaptured by the defenders of that detestable institution. They were generally confined under the guard of those creatures who among all the bad products of a bad society are the most ugly and repugnant nuns.What usually makes documentaries so easy to understand is the arbitrary limitation of their subject matter. They describe the atomization of social functions and the isolation of their products. One can, in contrast, envisage the entire complexity of a moment which is not resolved into a work, a moment whose movement indissolubly contains facts and values and whose meaning does not yet appear. The subject matter of the documentary would then be this confused totality.Voice 2 The era had arrived at a level of knowledge and technical means that made possible, and increasingly necessary, a direct construction of all aspects of a liberated affective and practical existence. The appearance of these superior means of action, still unused because of the delays in the project of liquidating the commodity economy, had already condemned aesthetic activity, whose ambitions and powers were both outdated. The decay of art and of all the values of former mores had formed our sociological background. The ruling class's monopoly over the instruments we needed to control in order to realize the collective art of our time had excluded us from a cultural production officially devoted to illustrating and repeating the past. An art film on this generation can only be a film on its absence of real creations.Everyone unthinkingly followed the paths learned once and for all, to their work and their home, to their predictable future. For them duty had already become a habit, and habit a duty. They did not see the deficiency of their city. They thought the deficiency of their life was natural. We wanted to break out of this conditioning, in quest of another use of the urban landscape, in quest of new passions. The atmosphere of a few places gave us intimations of the future powers of an architecture it would be necessary to create to be the support and framework for less mediocre games. We could expect nothing of anything we had not ourselves altered. The urban environment proclaimed the orders and tastes of the ruling society just as violently as the newspapers. It is man who makes the unity of the world, but man has extended himself everywhere. People can see nothing around them that is not their own image; everything speaks to them of themselves. Their very landscape is alive. There were obstacles everywhere. There was a cohesion in the obstacles of all types. They maintained the coherent reign of poverty. Everything being connected, it was necessary to change everything by a unitary struggle, or nothing. It was necessary to link up with the masses, but we were surrounded by sleep.Voice 3 The dictatorship of the proletariat is a desperate struggle, bloody and bloodless, violent and peaceful, military and economic, educational and administrative, against the forces and traditions of the old world.Voice 1 In this country it is once again the men of order who have rebelled. They have reinforced their power. They have been able to aggravate the grotesqueness of the ruling conditions according to their will. They have embellished their system with the funereal ceremonies of the past.Voice 2 Years, like a single instant prolonged to this point, come to an end.Voice 1 What was directly lived reappears frozen in the distance, fit into the tastes and illusions of an era, carried away with it.Voice 2 The appearance of events that we have not made, that others have made against us, now obliges us to be aware of the passage of time, its results, the transformation of our own desires into events. What differentiates the past from the present is precisely its out-of-reach objectivity; there is no more should-be; being is so consumed that it has ceased to exist. The details are already lost in the dust of time. Who was afraid of life, afraid of the night, afraid of being taken, afraid of being keptVoice 3 What should be abolished continues, and we continue to wear away with it. We are engulfed. We are separated. The years pass and we haven't changed anything.Voice 2 Once again morning in the same streets. Once again the fatigue of so many similarly passed nights. It is a walk that has lasted a long time.Voice 1 Really hard to drink more.Voice 2 Of course one might make a film of it. But even if such a film succeeds in being as fundamentally disconnected and unsatisfying as the reality it deals with, it will never be more than a re-creation ” poor and false like this botched traveling shot.Voice 3 There are now people who pride themselves on being authors of films, as others were authors of novels. They are even more backward than the novelists because they are unaware of the decomposition and exhaustion of individual expression in our time, ignorant of the end of the arts of passivity. They are praised for their sincerity since they dramatize, with more personal depth, the conventions of which their life consists. There is talk of the liberation of the cinema. But what does it matter to us if one more art is liberated through which Tom, Dick or Harry can joyously express their slavish sentiments The only interesting venture is the liberation of everyday life, not only in the perspectives of history but for us and right away. This entails the withering away of alienated forms of communication. The cinema, too, has to be destroyed.Voice 2 In the final analysis, stars are created by the need we have for them, and not by their talent or lack of talent or even by the film industry or advertising. Miserable need, dismal, anonymous life that would like to expand itself to the dimensions of cinema life. The imaginary life on the screen is the product of this real need. The star is the projection of this need.The images of the advertisements during the intermissions are more suited than any others for evoking an intermission of life.To really describe this era it would no doubt be necessary to show many other things. But what would be the pointBetter to grasp the totality of what has been done and what remains to be done than to add more ruins to the old world of the spectacle and of memories.1. This film, which evokes the lettrist experiences at the origin of the situationist movement, opens with shots of the Paris district frequented by the lettrists in the early 1950s.
主演：Danièle,Huillet,Jean-Marie,Straub
导演：Pedro,Costa,Thierry,Lounas
简介：Six unused scenes from WHERE LIES YOUR HIDDEN SMILE One of the more priceless of the bagatelles in this collection features a lounging Jean-Marie Straub who gives a non-stop disquisition on liberty and filmmaking while Danièle Huillet busies herself with laundry, and their dog Melchior frisks in and out of frame.
主演：王路晴,佴文,崔绍阳,淮文
导演：张海啸
简介：夏天天刚把校霸郭之宇调教成“忠犬”男友，就遭到了母亲何青柠的强烈反对，在何青柠心中，夏天天的公司总裁秦至才是完美女婿，她决心要亲自出手，却没料到，偶然的一天母女二人居然互换了身体!何青柠开始顶着女儿的身体为所欲为，夏天天则用母亲的身体奋起反击，俩人在鸡飞狗跳的互换人生中慢慢理解彼此。与此同时，两段高甜恋爱也正酝酿发酵......
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